Paul Lear is a Senior Colorist at MSG Sphere Studios in Burbank, where he serves as the studio's first full-time colorist — grading on the largest screen in the world. His career spans over three decades across film, television, and live events, with deep roots in the craft going back to Hollywood and extending across productions throughout Asia, Europe, and beyond.

Paul's 23-year relationship with Filmlight's Baselight began with version 1.0, making him one of the software's earliest adopters. That early access gave him a rare seat at the table — working directly with programmers, shaping workflows that became part of the platform itself, and demonstrating the very first Blackboard control surface at NAB. Today he works on Baselight 7, with its AI-enhanced toolset, bringing that same depth of experience to the most ambitious screen productions in the world.

At Sphere, Paul has served as Lead Colorist on residencies for the Eagles, Kenny Chesney, Zac Brown, and No Doubt — and took on what may be the defining project of his career: Lead Colorist on The Wizard of Oz at Sphere, reimagining a beloved classic for the most immersive venue ever built. From small CRT monitors to a screen that wraps an entire venue, Paul's career is a testament to what happens when genuine curiosity about light meets over 30 years of relentless craft.